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Wade (or “Parzival” as he’s known in the Oasis), our plucky teenaged hero, is one of millions who are hunting for three keys inside the Oasis by its since-deceased creator, Roy Hallidy. I’m getting off track though, just like Spielberg! So let’s loop back.įor those of you who don’t know anything about Ready Player One, it’s set in 2040-something, and focuses on a world that spends the majority of its time inside the “Oasis,” basically the virtual version of the internet. Zak Penn, the screenwriter who adapted RP1, is forever enshrined in screenwriting lore for losing his shit after his breakthrough spec, The Last Action Hero, was rewritten to expand the 80s pop culture movie references Penn had based the movie on, to movie references from every era. It needs to be pop culture from ONE SPECIFIC time period.” There’s some SUPER GEEKY screenwriting history connected to all this. It doesn’t make sense if it’s ALL pop culture. I mean Iron Giant missed the 80s by a decade! Why is he featured in this? It’s so random.Ī more dedicated director would’ve put his foot down and said, “No. By contrast, this movie is a mish-mash of whatever the hell pop culture references you can think of over the last 40 years, which contributes to the pervasive messiness. So there was thematic unity – From Pac-Man to Back to the Future to Tears for Fears – in every pop culture reference. Halliday built the Oasis as a way to live forever as a child in that decade. I know nostalgia is controversial right now but the 80s were the heartbeat of this book. The novel for Ready Player One was all about Halliday’s love for the 80s. The studio people were in charge of all that.” I’m sorry but whhhhuuuhhh did you just say? Shouldn’t you be the one leading the charge on this!? Not just because getting the rights was everything with Ready Player One, but because you’re STEVEN SPIELBERG and can get anything you want.īecause here’s the thing. Spielberg responded with a befuddled, “Oh yeah, I didn’t deal with that.
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Problem #2: Spielberg gave a Ready Player One promotional interview where he was asked about getting the rights to all the properties in the rights-heavy film. Which is why this movie feels so scattered. If Spielberg was shooting The Post while Ready Player One was being edited, it meant he was also involved in pre-production and casting and scheduling and meetings for The Post while Ready Player One was being shot. And because its subject matter made it particularly susceptible to being “all over the place,” it needed someone who was 100% committed to keep it on track.
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One of the biggest issues with Ready Player One is that it’s all over the place. I’d heard some disappointing things leading up to the release of Ready Player One, the most frustrating of which was that Steven Spielberg went off and shot The Post while Ready Player One was being edited.
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Writer: Zak Penn (based on the novel by Ernest Cline) But is the movie actually good!? That’s the ultimate question. And if you look at it that way, RP1 is a financial disappointment. The reality is, when WB did their pre-film projections, they were banking on a 75 million dollar opening weekend AT LEAST. Looks like the Easter Bunny isn’t the only one hiding a few extra eggs around the yard. This helped them to claim a “weekend” haul with two extra days’ worth of money lumped in. RP1 opened a day earlier than usual (on Thursday) AND got an extra day after the weekend with the holiday (Monday). That’s not to say RP1 hasn’t used some trickery to make its less-than-stellar opening weekend look better than it is. Wrinkle in Time, however, will be a loss for Disney. The reason being that RP1 is going to do way better internationally than A Wrinkle in Time, which should make the film profitable. So this has to be a bomb too, right? I would say that RP1 isn’t so much a bomb as it is a grenade. If you look at percentage return on investment when compared to A Wrinkle in Time, (Wrinkle’s budget was 100 million, RP1’s was 175 million), Wrinkle actually fared better on its opening weekend. Which movie will do better at the box office? A Wrinkle In Time or Ready Player One? RP1 took in 53 million this weekend. Premise: (from IMDB) When the creator of a virtual reality world called the OASIS dies, he releases a video in which he challenges all OASIS users to find his Easter Egg, which will give the finder his fortune.Ībout: Time to answer that question I asked a couple of months ago.